Writing from the Peak, PPW Blog

Finding Your Motivation and Muse

Motivation and muse are tricky things. Sometimes they are discovered through careful planning or trial and error. Sometimes they hit you like a freight train with no intention of stopping.

When Your Muse is too Quiet

I have never been asked what my muse is or how I stay motivated to write, and frankly I am glad of this because both of mine are a little odd and confusing. While I have never been asked, I have heard other writers answer this question. The one that resonates with me the most is from Laurell K. Hamilton, one of our 2018 PPWC keynote speakers. She said that even on days when her muse is not with her and her motivation is lacking, she will sit down at the computer and write. It doesn’t even have to be her story, it can be complaining about not wanting to write.

I thought about this for a while after the conference, wondering why this particular technique works for her. Ms. Hamilton can release a book in a year, from first words to shelves so there must be something to this sort of stream of thought writing. What I came up with was that she was able to get all of her yuck out of the way so that the characters would speak to her again. Sometimes we just need to get all the yuck out of our heads, all of the I don’t want to do this anymore kind of things. I realize that it makes room for the story to grow without all of the issues we are having with writing getting in the way. I don’t mind saying that I have tried this, and it works! It isn’t my normal process, but it really does work.

The Process

First, find your time. Some people are morning people, some people are…well not. Some people are completely awake at night while others can’t make it past 9:30 pm. All of these times are great, but you need to find yours. Mine came one night while I was up with my sick son. He had just fallen asleep and I didn’t want to be woken up again in 20 minuets, so I started writing. At first it was only to keep myself awake, but then I realized that I was writing quickly and it seemed like the story was just flowing out of me. Here is the kicker, my time is around 3:00 am. Yeah, tell me about it.

Second, do you work well under pressure or under a zero stress environment? For me, I work better under pressure, so I found a group that does word sprints. I LOVE WORD SPRINTS! They light a fire under me like no one’s business. It’s the competition and the pressure of seeing how many words I can churn out in the allotted period of time. Now, this isn’t for everyone, other people need a stress free environment to write. They might need a clean desk, their tea, and the quiet. So you should figure out if you do better under pressure or with a calming pressure free environment. When you find that, run with it!Sometimes motivation will hit you like a freight train.

 

Last, find a good word processor that really speaks to you. Some people don’t need the frills, but I do. My word processor of choice is Scrivener. So many frills that it takes 2 hours to go through the tutorial! For me, this baby does it all, it allows me to write in the messy way that I do and rearrange my scenes as much as I like while still keeping track of everything. If frills isn’t your cup of tea, then that’s fine, there are so many word processors that will do the job with no extras. Everything from Notebook (you know…that simple note taking program that comes on all windows computers), to Microsoft Word, to browser word processors like Fighters Block or 4thewords. They’re all great, you just have to find the one that works for you.

So, in short, muse and motivation are tricky. Finding them is different for every person. But know this, when you do find yours, it will completely change your writing life. I found mine through a mix of surprise and trial and error. I know you’ll be able to find yours. In the mean time, try Ms. Hamilton’s process. Maybe it’ll clear the yuck enough for your muse and motivation to come through.


photo of Samantha Crane

Sam Crane lives in Colorado Springs with her husband and two children. She is first and foremost a wife and mother, who has joyfully taken on the additional responsibility of homeschooling a preschooler. In her free time. Sam began reading when she was 4 years old but never really tried to write fiction until she was an adult. Encouraged by one of her good friends, she is now currently working on her first novel combining her love of the Fantasy with a bit of Horror.  

Letter from the Editor – October 2018

Dear PPW Readers,

Welcome to October. This month is, traditionally, the beginning of the fall season. A time to get ready for winter. Put the garden tools away and trim your bushes. Fertilize the trees and pick your pumpkins off their vines. It’s getting cold outside and the snow is ready to blanket us. The camping gear is stored, surf boards hung up, and the sun is noticeably lower in the sky. It is time for the hibernation season to begin. What? Wait? Hibernation? Not for any writers I know. This is the time of year we fire up our engines; to wrap our hands around a hot cup of cocoa, snuggle down into our desk chairs and write. From the Editor

What’s in Store for October?

To help you, Writing from the Peak has a month chalk full of everything writing. Tomorrow, Sam Crane will show how to find your muse and next week Robin Laborde will bring out your inner child. For Halloween, we’ll look at something sinister from Leilah Wright.

Mid-month? The Nanos start to come out of the floor boards. I’m not talking about nanobots or nanotech. I’m talking NaNoWriMo. National Novel Writing Month. Who’s jumping on the NanoWagon in November? If you’re writing for NaNoWriMo then you must bookmark this blog.

Writing from the Peak is excited to have five talented writers who will share their tips on how to survive this grueling month of writing. Check your sanity with Margena Holmes. Jennifer Lovette Herbranson and Catherine Dilts will give you tips to prepare for this long month of writing. Jason Evans is a master NaNo and Deb Buckingham will keep you healthy.

And now, most importantly, keep an eye out for the updates from PPW’s new President Kameron Easlor. She will update you on what’s new around PPW and the Board of Director’s elections. Congratulations to all the new and returning board members. PPW is lucky to have all of you.

Enjoy your hot cocoa this month. I hope your cup is filled to the brim with marshmallows and chocolate delight, and your month full of creative bliss and writing success. Keep on writing!


KJ Scrim, head shotManaging Editor, Kathie “KJ” Scrim, is a graduate of the University of Colorado at Boulder. Kathie writes fantasy and cozy mystery. Her inspiration for blogging, flash fiction, short stories, and the long haul of novel writing comes from her many life experiences. When she’s not writing you can find her somewhere in Colorado walking, hiking, or rock climbing at the local gym.

Confucius’ Birth Anniversary

Today is the Birth Anniversary of Confucius, who would be 2,568 years old.

It does not matter how slow you go as long as you do not stop. ~Confucious

Confucius was born on or about the equivalent of September 28, 551 B.C.E. He was a political figure, philosopher, educator, and founder of the Ru Chinese School of Thought. He was also an author and has been credited with writing or editing the Five Classics and other Chinese texts. Follow his timeless advice and keep on writing!

 


Profile Photo of Gabrielle V Brown Managing Editor Pikes Peak Writers Blog

Gabrielle V. Brown, Contributing Editor with Writing From the Peak, writes literary and speculative fiction, nonfiction and the occasional poem. Gabrielle’s published works include technical and academic nonfiction, poetry, memoir (as a ghostwriter) and a cookbooks. Find her on Facebook, her website, or contact her at gvbrownwriter@gmail.com.

Sweet Success for Darby Karchut

Sweet Success is happy to announce the release of Darby Karchut’s middle grade novel, DEL TORO MOON. Mark your calendar to join her October 2, 2018 for her virtual launch.

Del Toro Moon cover“Ride hard, swing hard, and take out as many of those creepy critters as you can.” Twelve year old Matt Del Toro is the greenest greenhorn in his family’s centuries-old business: riding down and destroying wolf-like monsters, known as skinners. Now, with those creatures multiplying, both in number and ferocity, Matt must saddle up and match his father’s skills at monster whacking. Odds of doing that? Yeah, about a trillion to one. Because Matt’s father is the legendary Javier Del Toro—hunter, scholar, and a true caballero: a gentleman of the horse. Luckily, Matt has twelve hundred pounds of backup in his best friend—El Cid, an Andalusian war stallion with the ability of human speech, more fighting savvy than a medieval knight, and a heart as big and steadfast as the Rocky Mountains. Serious horse power. Those skinners don’t stand a chance.

 

 

Darby KarchutDarby Karchut is an award-winning author, dreamer, and compulsive dawn greeter. A proud native of New MDarby karchut link to Virtual launchexico, she now lives in the foothills of the Rocky Mountains, where she runs in blizzards and bikes in lightning storms. When not dodging death by Colorado, Darby is busy wrangling words. Visit Darby’s website. She can be contacted at: darbykarchut@gmail.com.

 

 


Sweet Success logoDo you have a Sweet Success you would like to share? Click here to get started, or send an email to: SweetSuccess@pikespeakwriters.com

Sweet Success is coordinated by Managing Editor, Kathie “KJ” Scrim.

Hitting “Publish”

As a self-published author, I find it’s sometimes a scary thing when you are doing it all on your own. You have to make sure your manuscript is edited, you have to either create your cover or find someone willing to do it within your budget, and then you start the publishing process—all on your own!

You write your heart out, creating characters and worlds, and the self-doubt comes in. Is it good enough? Wow, that bit of writing there is awesome. I’m the greatest writer ever. Cue the Rocky theme. Then you write some more, and re-read it the next day. Wow, that bit sucks. I’m the worst writer ever. Cue Green Day’s Good Riddance.

Critique groups

I have used critique groups in the past for working out passages in my book, and this is usually the first time you’ll put your work “out there” for review, and it can be a bit scary. The members of the group will offer up ways to make your writing better. It may be as simple as changing a word for more impact, or as complicated as moving an entire sentence. As hard as it may be, don’t take it personally what they say about your writing (What? They don’t love my baby like I do?). It’s meant to be constructive and help better your story.

Beta ReadersHit publish and let it grow.

Beta readers are a great addition to your writing team at this point. They will tell you what is wrong with your book, and what is working with your story as well. They are an invaluable tool to making your story better. I have found some to be just as good as an editor—very thorough.
Recently, I published my new book with Create Space (yes, it’s still alive and kicking—for now), and every step of the way, my breathing became more shallow and rapid and my hands started shaking. Is this ready? Like, is my baby, that I’ve nurtured and cared for, written and rewritten, edited until the cows came home, really ready to be put forth into the world?

Online Reviewer

The online reviewer showed that there was one issue, but it seemed that it was already taken care of, since as I reviewed the files, I didn’t see any issues. Wow, that’s a first! I did it right the first time? Awesome.

The Proof Copy

I ordered my proof copy, because even though you can see what’s wrong in the online reviewer, having a physical copy in your hands shows a lot more issue. Whoops! My author picture inside at the end of my book is off-center. Gotta fix it! I look through the book more, making sure it is indeed ready to go. Upload the corrected files…and wait for the review of the files again. This time, no issues are found. Now, is my baby really ready to be put into the cold, cruel world of readership? [Further Reading]

Hit Publish

Well, it may never be 100% ready to go. I think any writer will tell you that they’ve found issues they should have corrected on any of their books. You could spend a lifetime making it ready to go, but for now, you hit “Publish” and let it grow in the world!

 


photo of margin holmesMargena Adams Holmes was born in Bellflower, CA sometime in the 1960s. She has always had a love for both reading and writing, writing her first song/poem in 1st grade.  Margena is a big supporter of indie authors and will read anything that draws her into the story. She is an observer of life, and many everyday things could (and do!) end up in her writings. Her publications are available through her author page. Contact Margena via email: jedi_anegram@hotmail.com. 

 

L. D. Colter Celebrates Sweet Success

When Gods Sleep, CoverCongratulations to L.D. Colter on the September 14, 2018 release of While Gods Sleep.

The first time Ty died he was five, the second time he was seven. He’s always believed his third death will be the final one, and now he may find out. “The pleasures of Greek mythology mixed with the dark undercurrents of contemporary fantasy.” Walter Jon Williams, New York Times bestselling author.

L.D. Colter, AuthorLiz Colter is a member of Pikes Peak Writers. Her novels written under the name L. D. Colter explore contemporary and dark fantasy, and ones written as L. Deni Colter venture into epic fantasy realms. She’s an active SFWA member with multiple short story publications, and her debut novel A Borrowed Hell was the winner of the 2018 Colorado Book Award for Science Fiction/Fantasy.

Learn more about Liz on her Website. You can purchase While Gods Sleep on Amazon.


Sweet Success logoDo you have a Sweet Success you would like to share? Click here to get started, or send an email to: SweetSuccess@pikespeakwriters.com

Sweet Success is coordinated by Managing Editor, Kathie “KJ” Scrim.

 

How to Put Together A Scene in Fiction – Part 2

[Note: This is Part-2 of a two part series. Click here for Part-1]

Endings

The end of a scene doesn’t really end anything, but tells the reader that there is more to come. If a character is literally hanging by their fingertips from the edge of a cliff at the end of the scene, it tells the reader that they will find out what happened on the cliff later—did the character fall or not? (Or, as in Sherlock Holmes at Reichenbach Falls, we might find out something that isn’t actually true.)

Less dramatically, the end of a scene can introduce new information (and the reader will find out how the character deals with that later), suggest a new course of action (and the reader will see how that didn’t work out as planned later), or simply remind the reader of some item that was left in suspense from another scene (and the reader expects to see more of that soon).

Or all of the above, or some combination.

The only exception is the last scene, which instead tells the reader that the story is over, sorry. Even in a series with an overarching arc, you need to tell the reader that this section of the story is done—come back later!

Here are the five tools for ending a story that I know about:
• Happily ever after.
• Happy for now. (This is often used in series.)
• Doomed ever after.
• Doomed for now. (This is often used in series.)
• OMG IT NEVER ENDS. (This is used in stories where it is implied that the characters or society have learned nothing, and this will all happen again in some form or another; this really shouldn’t be used in series, as it indicates that the next iteration will be tiresome.)

A proper story ending wraps up all the plots and subplots in the story with one or another of these elements. The plots are often resolved in order of least importance to most importance, or external events to internal ones. The last image or line is often a reaffirmation of the main story-line’s ending (like the couple kissing in the back of the limo in Die Hard, surrounded by the ironic, snow-like fall of paperwork from the burning building).

If a story feels “comfortable,” it’s likely that the creators gave sufficient time to the beginning and ending elements of the story (The Princess Bride is a good example of this).

If you feel just plain lost in a story, it’s likely that the creators tried to jump straight into the middle, inserting beginning-type elements as laborious backstory and out-of-character explanations higgledy-piggledy throughout.

If you feel that a story was good but not entirely satisfying or you’re not sure what it was all about, it’s likely that the creators skimped on the endings: endings often sum up “what this all means” throughout the story, and check in on what is left to be accomplished.
Beginning writers want to rush to the middle. The conflict, they believe, is where a story is at. They want to start with conflict, garnish the story with conflict, and conclude with more conflict leading to a high-conflict sequel. GRAAAAHHH!

But, honestly, even something like trying to build BLTs with nothing but bacon gets to be dull after a while, no matter how much you like bacon. Ditto with the conflict. Take a look at how the long-term, best-selling pros write: they add structural elements to keep their endless streams of conflict from becoming dull, repetitive, and confusing.

The structural elements you add may seem to take an inordinate amount of words (at least, at first), but they will keep the reader anchored in your world (beginnings) and unable to put the book down (endings). Want to make a more exciting book? Ironically, you may need to spend more time with its least exciting elements.

Like everything with writing, learning how to write a good scene is a lot to take in. But if you’re having issues with not being a best-selling bajillionaire, it may be time to start!

—————-

*This is the Colorado Tesla Writers, a Facebook group of science fiction, fantasy, and horror writers at all levels. Contact me if you’re interested; you can be from anywhere, but we do have in-person meetings in the Denver metro area every month.

 


DeAnna KnipplingDeAnna Knippling has two minor superpowers: speed-reading and babble. She types at over 10,000 words per minute and can make things up even faster than that. She has been officially constrained from drinking Ovaltine per her doctor’s orders since a tragic incident involving a monopoly game, a blender, a cemetery, and a school play at age eight. Her first job was hunting snipe for her father at twenty-five cents per head, with which she paid her way through college; her latest job involves a non-disclosure agreement, a dozen hitmen, a ballerina, a snowblower, three very small robots, and a disposable dictator in South America. If she told you which movie was based on her life, she’d have to kill you. Her cover job is that of freelance writer, editor, and designer living in Colorado Springs, Colorado, with her husband, daughter, cat, more than one cupboard full of various condiments, and many shelves full of the very best books. She has her own indie small press, www.WonderlandPress.com, and her website is www.DeAnnaKnippling.com

How to Put Together a Scene in Fiction – Part 1

[Note: this is part-1 of a two part series]

Something that a lot of writing books don’t teach beginnings writers is how to write a scene.
It sounds counter-intuitive. Aren’t scenes the basic building blocks of fiction?

But there are a lot of tools that you need to learn in order to write a scene at all: characters, dialogue, setting, conflict, motivation, how to write complete sentences…

The fact is, learning how to write well is a lot. A lot of everything. And a lot of the things that you can do sort of by instinct, you can’t do on purpose, at least not at first. So the question of “how to structure a scene” gets pushed back for “someday you’ll need to learn this…but not today.”

I reached the point of “someday” several years ago, in 2012. Taking the advice of longtime professional writer Dean Wesley Smith, I started noting down story structure and typing in what didn’t make sense (which was a lot).

What I’ve noticed is that almost every scene, barring those in some very experimental literary novels, uses very similar tools, repeated in different combinations. You may have heard of them: beginnings, middles, and endings.

There are a lot of tools that you need to learn in order to write a scene.

Beginnings

The beginning of a scene contains all the information the reader needs to know in order to comprehend the scene that follows. No more, and no less. This information includes the setting, character, and situation in enough detail that a reader can pick up the book after six months and be able to resume reading—with pleasure!
Because writers spend so much care and attention reading books, they tend to assume that other readers spend a lot of care and attention on reading. Alas, most readers only read about four books a year, or about one book every three months. And they forget stuff.

The beginning of a scene should establish new characters, new settings, and new situations in enough detail that the reader feels like they have left this reality and entered into the book. The beginning of a scene should also re-establish continuing characters, settings, and situations in enough detail that a reader who has put the book down can quickly get back up to speed.

There are three tricks to this:

• Use a lot of sensory detail from the character’s point of view.
• Only use the POV character’s observations and attitudes in the scene; nothing that fits the writer but not the character can remain.
• Don’t repeat the exact same details for re-establishing character, setting, and situation.

You don’t need to write a lot of details. If the details are accurate, consistent, based on concrete sense details (and not vague, lazy generalizations), and have variety, the details can quickly yank a wayward reader back into the story.

Middles

The middle of the scene contains the conflict. In the beginning, you tell the reader what sort of conflict to expect. In the middle, you carry out that conflict.

There are several tools you can use to carry out conflict. These are the ones I know about:
• The character tries to do something and fails. (“Try/fail” is often used as a blanket term for all of these types of conflict.)
• The character tries to do something, succeeds, and things still get worse. (Succeed But Worse.)
• The character tries to do something and is interrupted. (Interrupt.)
• The character tries to do something, but the outcome isn’t known yet. (Suspense.)

Each one of these elements, you will note, keeps the character on the hook somehow—and keeps the reader wanting to find out what will happen.

A scene can consist of one lengthy conflict, several shorter conflicts, one long and one short, and so on. A fight scene might have a dozen short conflicts as the fighters try, then discard, different tactics. A scene in which two old lovers try to convince each other that they don’t love each other anymore might be a dozen pages long.

If you’re paying close attention, you may notice that each separate conflict in a scene has its own beginning, middle, and end—the same way that in a good movie, you’ll see shots of characters standing around in the scene so you know who’s in the room and where. A fight scene that’s just a blur of weapons and movement gets to be old very quickly.

Click here for Part-2


DeAnna KnipplingDeAnna Knippling has two minor superpowers: speed-reading and babble. She types at over 10,000 words per minute and can make things up even faster than that. She has been officially constrained from drinking Ovaltine per her doctor’s orders since a tragic incident involving a monopoly game, a blender, a cemetery, and a school play at age eight. Her first job was hunting snipe for her father at twenty-five cents per head, with which she paid her way through college; her latest job involves a non-disclosure agreement, a dozen hitmen, a ballerina, a snowblower, three very small robots, and a disposable dictator in South America. If she told you which movie was based on her life, she’d have to kill you. Her cover job is that of freelance writer, editor, and designer living in Colorado Springs, Colorado, with her husband, daughter, cat, more than one cupboard full of various condiments, and many shelves full of the very best books. She has her own indie small press, www.WonderlandPress.com, and her website is www.DeAnnaKnippling.com

Elizabeth Winthrop Alsop Celebrates 70

I am a perfectionist and a scaredy-cat.

~Elizabeth Winthrop Alsop

Elizabeth Winthrop AlsopToday Elizabeth Winthrop Alsop celebrates her 70th birthday. Elizabeth has published children’s, young adult, picture books and historical fiction as well as memoir – more than sixty books since her first, Bunk Beds, in 1972. Elizabeth is best known for her middle grade fantasy classic, Castle in the Attic, and has received numerous awards. She’s recently done a Ted Talk about risking exposure as a writer, view it here.

 


Profile Photo of Gabrielle V Brown Managing Editor Pikes Peak Writers Blog Gabrielle V. Brown, Contributing Editor with Writing From the Peak, writes literary and speculative fiction, nonfiction and the occasional poem. Gabrielle’s published works include technical and academic nonfiction, poetry, memoir (as a ghostwriter) and a cookbooks. Find her on Facebook, her website, or contact her at gvbrownwriter@gmail.com.

Proofing the Proof

There is more to proofing a book than just reading the story.

At some point in every writer’s career, you’ll be asked to proof a final version of your work.
Sure, you’ll have various editors doing this, but you’ll need to be a part of it, too. After all, it’s YOUR name on the cover and you want it to be as perfect as possible.

Even at the manuscript stage, submitting a well-polished story will help your work stand out. It shows agents and editors that you are industry-savvy.

There is more to proofing a book, however, than just reading the story (aka body matter). It means examining literally every centimeter of the product. During this process, I get down to some serious detailing, checking for any and all mistakes, and taking copious notes—old school style.

Take copious notes...old school style.

Over the years, I’ve developed a checklist to make sure I don’t miss anything. I break the task into sections, moving from easy to more difficult; mostly to warm up and to feel like I’ve accomplished something. Remember, for each item on this list, we’re looking for spelling, grammar, punctuation, correct vocabulary, correct numbering and sequence, etc. Read stuff aloud—it helps like nothing else to catch mistakes.

Cover

  • Front
  • Spine (place your book on its back. The words on the spine should read left to right)
  • Back (correct jacket copy, ISBN number, publisher’s contact info, etc.)

Front Matter

  • Praise Page
  • Title Page (called the recto side)
  • Copyright Page (called the verso side)
  • Dedication
  • Acknowledgements (unless this is at the end, then skip for now)
  • Table of Contents (if applicable)
  • Foreword (if applicable)
  • Preface or Introduction (if applicable)

End Matter

  • Acknowledgements (here’s where you want to triple check that you’ve spelled your publisher, agent, editors, publicists, and cover artist names correctly, as well as everyone else you want to thank)
  • Discussion Questions
  • Author Interview or Q & A
  • Author’s Bio (triple check that your contact info is correct)

Chapters and Pages

  • Check each chapter title for sequential numbering. Trust me on this.
  • Check each page for sequential numbering. Trust me more.
  • Orphans and Widows. Tedious, but it must be done.

Body Matter

  • Read your story aloud. This is single most productive use of your time at this stage. As I mentioned earlier, you’ll catch dropped words, repetitive vocabulary, and grammar mistakes like crazy.
  • Proper nouns (characters, locations, etc). Keep a cheat sheet nearby.
  • Foreign languages. Triple-check spelling and punctuation. Then, check them once more. Get this right.
  • Paragraphs. Make sure the breaks are correct.

This sounds so easy and straightforward, but you and I both know this is blood-letting time. Re-reading a manuscript you’ve labored over for months or years can be downright nauseating. I don’t know about you, but I spend a lot of time cringing, too.

But.

But.

But, I often find myself enthralled with the story, and a bit in awe of some writing I didn’t remember producing. Which is pretty cool. It is really okay, you know, to feel pride and satisfaction in your creation. If we writers (or painters or musicians or dancers) do not cherish our work, then our readers or viewers won’t either. So, proof away and be prepared to fall in love again.


Darby KarchutDarby Karchut is an award-winning author, dreamer, and compulsive dawn greeter. A proud native of New Mexico, Del Toro Moon Book Covershe now lives in the foothills of the Rocky Mountains, where she runs in blizzards and bikes in lightning storms. When not dodging death by Colorado, Darby is busy wrangling words. Her latest book (lucky number thirteen), DEL TORO MOON, releases October 2 from Owl Hollow Press. Visit the author at her website.