PPW News

Pantser Versus Plotter

By: Catherine Dilts

Pantsers and Plotters often view each other with disdain. In the Plotter’s view, Pantsers are disorganized, chasing after the spark of an idea at the sacrifice of crafting a coherent story.  Pantsers see the Plotter’s methods as excessively neat and controlling, at the sacrifice of releasing genuine creativity.

First, the definitions.

Pantser – A writer who has a seat-of-the-pants approach, also referred to as “organic writing.” Applied to fiction writing, this means beginning a project without an outline, perhaps with no plan at all. Starting with a blank page, you plunge in. You may have an idea of where you want to end up, but planning would ruin the journey from original inspiration to finished project.

Pitfalls of Pantsing – Writing yourself into a dead end, realizing after thousands of words that the story just isn’t going to work. Author J. S. Ellis says, “I wrote the rest of the pile of manuscripts that are gathering dust by pantsing.” 

Plotter – A writer who creates an outline before beginning a fiction project. One famous plotter is thriller author Jeffery Deaver. At a talk, he described spending eight months creating an outline. A Plotter’s outline may vary from a single page to a chapter-by-chapter, or even a scene-by-scene outline.

Pitfalls of Plotting – The original spark goes stale in the process of creating structure. Sticking relentlessly to your outline might crush new ideas that could make your story better.

What is the solution to the battle between Pantsers and Plotters?

Be flexible. Some stories may benefit from the free-wheeling creative process of Pantsing. Others are better suited to Plotting. Author Janalyn Voigt applies both to her writing, using a hybrid approach. She states some projects lend themselves more to one technique or the other, and sometimes combining the two is the best solution.

An article at Jackal Editing explodes the plotting versus pantsing debate. After presenting the pros and cons of each writing method, the article ends with a sensible conclusion. “Neither process is better than the other. Instead of trying to define the perfect writing process, why don’t we just accept that everyone’s different and what works for you might not work for the person next to you?” 

How do you learn which technique works best for you?

Experimentation.

Author Henry Miller said “You have to write a million words before you find your voice as a writer.” This applies to finding your method of writing, too.

I began my writing life firmly committed to being a Pantser. Today I’m a published cozy mystery author. The opportunity came up to write for multi-author series. A detailed outline is a requirement. I found outlining grueling unhappy work at first. Now I plot heavily for all my projects. Trust me, it gets easier with practice.

Plotting is vital to creating a mystery story, in my opinion. That plot outline has to be flexible, though. In the writing process, a great plot twist may present itself. An additional red herring or suspect. You can’t surprise the reader unless you’re surprised. Don’t become trapped by your outline. Be open to revision.

Maybe instead of falling into one camp or the other, writers exist at varying points along a spectrum. Rare few people are strictly Pantsers or Plotters. You’re probably already using a combination of the two techniques. The main thing is to keep going. Write your million words.


CATHERINE DILTS prefers writing cozy mysteries and short stories surrounded by flowers on her sunny deck, but any day – and anywhere – spent writing is a good day. Author of the Rock Shop Mystery series, and the stand-alone Survive Or Die with Encircle Publications, Catherine also writes for Annie’s Publishing, contributing three books for the Secrets of the Castleton Manor Library and two for the new Annie’s Museum of Mysteries series. Her short story HazMat Holiday appears in the Alfred Hitchcock Mystery Magazine January/February 2022 issue. Visit her website.

 

Introducing the Authors!

Pikes Peak Writers and the editors of, Dream, are proud to introduce the twenty-seven authors selected for this second anthology. Congratulations to everyone! Click here to learn more about each author.

Jean Alfieri She Told You in a Dream
Steve J Anderson House of Dreams
Craig E Barnes The Jungian Offensive
Lou J Berger The Last Ember Fades
John Campbell Living the Dream (Except for One Thing)
John Christenson Der Traumlicht
Debbie Davis Dream Quota
Rick Duffy The Boundless Dream
Marlene Fabian Stiles Computer Genie
Karen Fox Seedlings of Reality
Lawrence Good Black Man Running, 1969
Ronnie Lee Graham I Always Wake Up
Matthew Heneghan A Boy Named Ryan
Tracy Kerby Dream Harvest
Kelly Kerby The Bunker
Lauren Lang Dream On
John Lewis Sleepstone
Gregory Mattix Dream Eater
Peter McQuade Dreamwater
Tracy Mitchell False Fate
P James Norris Wind
Barbara Preslier Augmented Dreams
Sandy Reay Damn The Dream
Susan Schooleman Dream Crush
Christina Simpson Other Lives
Uchechi Princewill Blanket of Joy
Benjamin X. Wretlind Over There

Sweet Success for Shannon Lawrence

By: Darby Karchut

Congratulations to Shannon Lawrence on the upcoming release of her non-fiction book, THE BUSINESS OF SHORT STORIES: Writing, Submitting, Publishing and Marketing (February 1, 2022 from Warrior Muse Press). After years of teaching workshops on the topic, Shannon Lawrence has compiled useful tips, instructions, and resources to help others write, edit, submit, publish, and market their short stories. From the dynamics of short stories to how to find publishers, options for traditional publication and self-publishing to building websites and social media presence, THE BUSINESS OF SHORT STORIES is an important resource for all writers.

ABOUT THE BOOK 

Whether you’re looking to add short stories to your repertoire as a solo pursuit or in addition to novel writing, The Business of Short Stories covers every aspect from writing to marketing. Learn the dynamics of short story writing, where to focus your editing efforts, how and where to submit, how to handle acceptances and rejections, what to do with reprints, and how to market yourself and your stories online and in person. The information in The Business of Short Stories has been distilled from over a decade of short story publishing experience so you don’t have to learn the hard way. You’ll find information on submission formatting, cover letters, querying a collection, sending proposals to writing events, how to create a website, SEO, social media, and so much more. There’s never been a better time to get into short stories! Purchase a copy through Amazon.

Shannon Lawrence

ABOUT THE AUTHOR

Shannon Lawrence is a fan of all things fantastical and frightening, she writes primarily horror and fantasy. Her stories can be found in over forty anthologies and magazines, and her three solo horror short story collections and her nonfiction title. You can also find her as a co-host of the podcast Mysteries, Monsters, & Mayhem. When she’s not writing, she’s hiking through the wilds of Colorado and photographing her magnificent surroundings, where, coincidentally, there’s always a place to hide a body or birth a monster. Visit Shannon at www.thewarriormuse.com, and follow her on Facebook, Twitter, Instragram, BookBub, and Goodreads


Darby Karchut

Sweet Success is coordinated by Darby Karchut who is an award-winning author, dreamer, and compulsive dawn greeter. A proud native of New Mexico, she now lives in the foothills of the Rocky Mountains, where she runs in blizzards and bikes in lightning storms.
Click here to submit your Sweet Success Story.

Hello Fellow Writers!

Hello Fellow Writers!

I’m Jenny Kate, this year’s PPW Conference Director, and have I got a conference update for you! 

Our planning team is busy, busy, busy. 

We are in person, April 29 – May 1, and we are providing a virtual option.

Programming

With more than 90 workshops planned and ready to go, we have something for everyone no matter where you are in your writing career.  You can check those out here. 

We have three wonderful keynote speakers:

  • Romance Author Naima Simone 
  • Thriller/Noir Mystery Author and PPWC Alum Robert Crais
  • Publishing Expert Jane Friedman

And two amazing Featured Authors:

  • Author of the ‘Dear Writer’ Series Becca Syme
  • TV Writer turned Romance Novelist, Dr. Ines Johnson 

New Venue

We are super excited to be in a brand-new venue for this year’s Pikes Peak Writers Conference. 

The staff at Colorado Springs Doubletree Hilton Hotel has been a great partner.

We spent an entire morning food tasting with Chef Steve so you’ll have the best meals ever. We can’t wait for you to try the beer-cheese soup and the braised short ribs!

The rooms are larger. The area for BarCon is amazing. 

We think you’re going to love this new conference center.

Registration is open

We have a lot of options available this year.  

1.  If you’re just up for one day: our one-day PreGame programming on Thursday has master’s classes for all levels. 

2.  If you’re up for the whole conference, our 2.5 days of programming is a wealth of information on craft, business, marketing, the writing life and more. 

    • These 2.5 days also offers the opportunity to pitch your work to an agent or editor. 
    • Or you can have your work read aloud in one of our Read and Critique Sessions.

3.  Write Drunk, Edit Sober is back for another year with our President Deb Courtney!

4.  Call all Students! This year, we are also offering a student discount for high school and college students. $40 off regular Friday-Sunday registration, or $51 off Thursday’s PreGame programming. As always, if the student is under 18, they’ll need a permission slip from a parent. And all students using the discount will be required to upload proof of student status. 

5.  Finally, our virtual option. 

    • We have 24 workshops and our keynotes available for live streaming
    • That option also allows access for up to 45 days after conference
    • In-person attendees have the option of adding on the virtual option as well

We know COVID is on your mind, so here’s what we’re doing:

  • To pick up your registration materials, you’ll need to provide a vaccine card OR a negative test within 48 hours. 
  • We’re spacing seating in all workshops and at all meals
  • In your grab bag, you’ll find a mask and hand sanitizer
  • We are encouraging attendees to wear masks

We are very aware that some people will be happy with these measures and some people won’t. All COVID mitigation could change as we get closer and things develop over time. 

The bottom line for us is we haven’t been in person in two years, and we would like to be. 

We are doing everything we can to make sure this is a safe event. So please give a little grace as we are not health care professionals. We are writers. We will follow what the CDC and the Health Department for the State of Colorado advises us to do. 

Because we miss our writer buddies and want to see as many of you as possible at conference. 

 

If you haven’t registered yet, you can click here and register.

If you’d like to volunteer, you can email our volunteer coordinator Jessica Starkey at ppwcvolunteer@pikespeakwriters.com

If you have any questions about conference, check out our website here or feel free to email me anytime at conference@pikespeakwriters.com 

 

We can’t wait to see you in April!

Sweet Success for Catherine Dilts

By: Darby Karchut

Congratulations to Catherine Dilts! Her short story, “HazMat Holiday,” will be featured in the January/February 2022 Alfred Hitchcock’s Mystery Magazine. The magazine is one of the oldest and most influential magazines of short mystery and crime fiction in the world.

ABOUT THE STORY:

The story features Dilts’ recurring short story characters: Charles, a dignified gentleman who loves his career as a chemist, and Tony, a college student / laboratory intern. Charles insists on completing a vitally important lab test and report, causing him and Tony to be stranded at the factory during a blizzard. Employees quickly become dangerously competitive for the leftover holiday meal. Pick up a copy of the magazine at https://www.alfredhitchcockmysterymagazine.com/store/

Catherine Dilts

ABOUT THE AUTHOR: 

Catherine Dilts is the author of the Rock Shop Mystery series, while her short stories appear regularly in Alfred Hitchcock Mystery Magazine. She writes for Annie’s Publishing, which include installments in the multi-author cozy mystery series Secrets of the Castleton Manor Library, a Mistletoe Mystery, and the upcoming Museum Mysteries. Working in the world of hazardous substances regulation, Catherine’s stories often have environmental or factory-based themes. Others reflect her love of the Colorado mountains. Visit the author at https://www.catherinedilts.com/ and follow her on Instagram.


Darby Karchut

Sweet Success is coordinated by Darby Karchut who is an award-winning author, dreamer, and compulsive dawn greeter. A proud native of New Mexico, she now lives in the foothills of the Rocky Mountains, where she runs in blizzards and bikes in lightning storms.
Click here to submit your Sweet Success Story.

Writing from an Animal Character’s Point of View

By: G.G. Hall

About a dozen years ago, I embarked on a journey to write a children’s tale about a rabbit who was a pet, living in a home, and having some big adventures. The novel was to be told from a rabbit’s point of view, including the use of the first person singular. Having worked for 8 years with pet rabbits and various rescued Easter bunnies, I figured it would be a snap to just assume my favorite pet’s character and the words would flow.

I was quite wrong.

It was soon very obvious that in order to think, act, eat and see like a rabbit, you had to really become a rabbit. Since this was obviously impossible unless I found some witch in a castle somewhere who would feed me a potion made of things no one wants to hear about, I would have to come up with a plan B.

My father worked for 30 years as a police officer who investigated crimes- mostly homicides but often armed robberies as well.  In many cases, the culprit was not known and the evidence was limited, so my father devised a method that resulted in solving 30 homicides out of 32. He once simply stated, “Get into the mind of the criminal. Think like he thinks. Sit where he would have sat.” And so, I decided to use his proven method to “get into” the mind of a pet rabbit.

Get into Character

Starting out with many questions, I played the role of “Hershey” and his pals. What does the living room really look like from his perspective? I laid down on the floor and looked around at the couch, coffee table, and the paintings on the wall. The world above is probably very initimidating to a “ground creature” such as a rabbit. Writing down my observations from the “floor perspective,” the story suddenly became easier. Crawl under the couch and find dust balls that were thick and abundant. This would probably make me or any other creature sneeze- so why not write it into the story? But then again, would the rabbit even know what these objects were? What would a large chair or coffee table look like to a small creature? Would he understand paintings of the sky were, in fact, paintings or would he assume they were openings to the real thing?

What’s for Lunch?

Once the surroundings were established, a second task was upon me. Food. I knew very well what my rabbits loved to eat- green stuff, herbs of all kinds and, of course carrots and apples. But how in the world do you describe the taste of their main staple- hay? Obviously it would taste different to a human than a rabbit. So I used my sense of smell to guide my writing. No, I did not eat hay. But I did try cilantro, parsley and dill in order to experience the tastes. Bitter? Sweet? Decadent? Herby? To many rescued rabbits, like my character, these tastes are new when they go to an adoptive home. What emotions would I have in tasting these for the first time?

The Adventure Begins

My third task was the plot, which was to be a series of adventures. What would a rabbit get into? And how would he be able to do these things? I recalled that little bunnies in exercise pens had one great gift. The ability to push off their hind legs and clear the fence. Or, even easier, the same little rabbit could just jump up onto a cardboard box in his pen and take it from there. But my rabbits had another advantage. One of their friends was the pet parrot in the house. So what if the parrot helped them out of the pen by unfastening the clips that held the pen together? Excellent! Escape was much easier and now a team effort. This gave the plot another dimension and added a character that could help the protagonist in many ways.

As the adventures unfolded, again I sat on my floor and studied things such as stairs, Christmas trees, and yes, the refrigerator. In each case, I had to figure out how a mischievous rabbit or two would explore, climb up or open these objects. And what fun it would be to knock over the Christmas tree!

Getting Around

One last obstacle in writing about an animal was locomotion. How did they move? Sometimes they ran and other times they were content to hop. But a very excited happy rabbit would often leap into the air and make a little twist. This hilarious movement was called a “binky” by rabbit people. How would it feel to actually do these things?

 As writers, many of us often have an animal or several as characters. Whether they are the pet of a main character or the main character themselves certainly means that we must do our best and our research to make them as real as possible. Will they talk? Will they only talk to each other? Will they wear clothing, fall in love, cry? What will they do? Who and what are they afraid of?

In sharing all of this, I encourage my fellow writers to explore the possibilities of their animal characters. And when in doubt, well, just lay on the floor. Just don’t eat the hay or the dog biscuits!


Georgiana Hall (“G.G. Hall”) is the author of the novel Hershey- A Tale of a Curious House Rabbit and the sequel, Trouble in the Attic. A retired physics and astronomy professor, she has written numerous editorials which have appeared in USA Today, the Miami Herald and others. She and her rabbit novels were featured in an article by pet columnist Sharon Peters in a USA Today article in January 2011.

She and husband Oren , also a retired professor, share their Colorado springs home with 2 cats, a rabbit and 3 birds. Currently, G.G. is  working on a third Hershey novel as well as several other young adult novels.

Sweet Success for Hillary Dodge

By: Darby Karchut

Congratulations to Hillary Dodge on the recent release of the anthology, SHADOW ATLAS: DARK LANDSCAPES OF THE AMERICAS, edited by Carina Bissett, Hillary Dodge, and Joshua Viola.

Shadow Atlas, cover

ABOUT THE ANTHOLOGY: 

Ancient peoples knew there were lands given over to shadow and spirit. The world is full of haunted places that exact a terrible toll on trespassers. Our forebears paid a heavy price to earn the wisdom and the warning they bequeathed to future generations.

Time transformed their precious knowledge into superstition, but there are those whose hearts beat in rhythm with the past and whose vision is not clouded by modernity. Seeking to reclaim humanity’s early secrets, the Umbra Arca Society was forged. For centuries, this private league of explorers dedicated their lives to uncovering the oldest mysteries of the Americas. Armed with boldness and guile, and equipped with only a compass, a journal, and devotion to truth, these adventurers braved cursed landscapes, dared unnatural adversaries, and exposed hidden civilizations. Many did not survive. None were forgotten.

“Dead serious in its horror, yet delightful and inviting in its design and conceit, Shadow Atlas is a rare, beguiling treat, a collective fantasy with teeth, vision, and grounded in urgent, ancient truths.”
– BookLife Reviews (BookLife section of Publishers Weekly)

“Think The DaVinci Code or Indiana Jones, but with more literary force…”
– Midwest Book Reviews

“A host of sublime writers and settings create an entertainingly macabre collection.”
– Kirkus Reviews

Purchase a copy through Amazon or Barnes & Noble.

ABOUT THE AUTHOR: 

Hillary Dodge is an author, librarian, food literacy consultant, and educator. Her short fiction has been published in magazines, anthologies, and podcasts including Pseudopod, Space Squid, and Hellbound Books. She also writes nonfiction on a variety of topics, including technology, medical history, and food literacy. In 2016, she and her husband quit their jobs and relocated their family of three to South America where they spent two years overlanding in Chile and Argentina while researching and writing about food, culture, and the ghosts of South America. Visit her at www.hillarydodge.com and follow her on Instagram and Amazon.


Darby Karchut

Sweet Success is coordinated by Darby Karchut who is an award-winning author, dreamer, and compulsive dawn greeter. A proud native of New Mexico, she now lives in the foothills of the Rocky Mountains, where she runs in blizzards and bikes in lightning storms.
Click here to submit your Sweet Success Story.

Crafting a Novella in 10 Easy Steps

By: Donna Schlachter

I used to think writing shorter would make the process easier. I started out penning greeting cards, devotionals, poetry, and take-home articles. Magazine articles. Children’s books. You name it. If it was less than two thousand words, I’ve probably done it.

Not surprisingly, I learned that writing short wasn’t easier than writing longer. In fact, it wasn’t simple at all. I think it was Mark Twain who wrote, in a letter to a friend, “I’d have written a shorter letter if I had more time.”

To be honest, the first time I was offered the opportunity to write a novella, I felt like I was cheating the reader in some way. At less than half the size of a regular novel, surely the story would be shallow. Unsatisfying. Unfulfilling. And how could I possibly get the main plot, three subplots, and eight primary characters into 30,000 words?

Well, I couldn’t. That’s the beauty of a novella. The main plot, one subplot, hero, heroine, bad person. A reader could pick up the book and read it in three hours or less. The perfect summer beach read or plane trip story. Or train. Or car. Or bedtime reading.

Ten Quick and Easy Steps:

Learning how to write a novella required me to change my mind set about the format. Not only was the number of words an issue, but even the number of chapters, characters, and subplots.

For those interested in learning how to pen a successful novella, here are the steps:

  1. Come up with a story that has two interesting people who find themselves in a sticky situation. Many novellas are romance based for this reason.
  2. Decide on a sub-plot that will be resolved in this book, or soon if this book is in a series. Nothing too complicated. But choose a sub-plot that relates in some way to the main plot.
  3. Limit your cast of characters. Hero, heroine, a bad person if needed. For other characters, consider combining them to keep the number required down. For example, if you need a next-door neighbor and a firefighter, make the neighbor a firefighter.
  4. Figure out your story arc. Just because it’s shorter doesn’t mean you can make it any less satisfying. Show your characters in their usual world, yank them out of it, force them into deciding.
  5. Limit the situations to two Black Moments or Crisis Points. You simply don’t have enough room in a novella to do more than that. The second Black Moment should be more difficult than the first, forcing your character to make a tougher decision.
  6. Offer your character alternatives to choosing the hard road, just as in a full-length novel.
  7. Force your character to making decisions that will be in direct contrast to their worldview. This will increase tension for the characters and the reader.
  8. Every book has a message or a theme, but readers don’t want it hitting them in the face. Instead, weave what you want your reader to take away throughout the dialogue, the internal thoughts, the choices the characters are forced to make, and foreshadowing.
  9. Consider your audience as you create your story. For example, if this is a sweet romance or a cozy mystery, readers won’t expect to see sex, cursing, or extreme violence on the page. If, however, you’re penning a steamy romance, gritty police procedural, or hard-boiled detective story, readers are more accustomed to these elements. Always write to your reader’s expectations.
  10. The best stories show the hero and/or heroine in a different frame of mind by the end of the story. They should have recognized their weaknesses and made choices to overcome them. They should have grown in the right direction, unless, of course, you’re writing a literary book. Relationships don’t have to be perfect, but if that’s the theme of the story, they should be moving ahead.

Publishing Opportunities

Novellas seem to work best in romantic genres, including contemporary and historical fiction. Cozy mysteries are popular venues for novellas, as is romantic suspense. Some publishers have developed a niche market for novellas by bundling them into collections of four to nine (or more) authors, with the stories having a common link. Sometimes the connection lies in the heroine’s name or occupation. Sometimes the characters live in the same town, or maybe they are friends out for an adventure. Whatever the link, readers like these collections, as sales testify, because they are able to sample multiple authors in the same collection. If they don’t prefer one story, they’re bound to find several that they do.

For independent authors who self-publish, novellas are a quick and easy way to keep readers satisfied until their next full-length novel releases.

Indie publishing sites, such as Amazon, encourages these shorter books through their algorithms because indie authors often are able to release more books in a year.

Contests and Awards

Most book awards now include novellas in their contests, and many have specific categories for these shorter novels. The writing world has come a long way in recent years. While novellas were once regarded by many as a second-best to full-length novels, savvy readers and judges now recognize that writing shorter can be more difficult.


Donna Schlachter

Donna writes historical and contemporary mysteries, and has been published more than 50 times in novellas, full-length novels, and non-fiction books. She is a member of several writing communities; facilitates a critique group; teaches writing classes; ghostwrites; edits; blogs regularly; and judges in writing contests. She lives in Denver with her husband and two cats, finding mysteries wherever she travels. You can find her books on Amazon under both her name and that of her former pen name, Leeann Betts.

Sweet Success for Jasmine and Jim Tritten

Cheers for this dynamic duo. Jasmine and Jim Tritten are happy to share their most recent
success: the recent release of the second edition of KATO’S GRAND ADVENTURE. After
being published, the book won six awards, including winner in the 2019 New Mexico-Arizona
Book Awards-Young Readers Books. This new second edition includes additional original
drawings by Jasmine, a map to follow Kato’s journey, discussion questions and exercise topics
for young readers, and some revisions to the text.

Kato's Grand Adventure


ABOUT THE BOOK:

An adventure story written from the perspective of a lost kitten. Kato is the cutest little gray/black striped young tabby with white paws and a rust-colored nose. He sets out to look for his missing sister. In the process, he gets lost in the woods near a rushing stream.
With the help of a rabbit, then an owl, and finally a coyote, he overcomes many obstacles on his journey. Kato learns to take chances and accept help from the most unlikely of characters. He reunites with his sister and arrives safely home. Perfect to be read aloud to children and grandchildren at an early age. It can then be an enjoyable chapter book for anyone with a 4th or 5th-grade reading level—original illustrations by the author. Pick up a copy through Amazon.

Jasmine and Jim Tritten


ABOUT THE AUTHORS:

Jasmine and Jim Tritten are both multi-award-winning authors. Jasmine has also won awards for her book designs, covers, and illustrations. They live in New Mexico with four cats. Visit Jasmine on her Amazon author page and visit Jim on his Amazon author page.


Darby Karchut



Sweet Success is coordinated by Darby Karchut who is an award-winning author, dreamer, and compulsive dawn greeter. A proud native of New Mexico, she now lives in the foothills of the Rocky Mountains, where she runs in blizzards and bikes in lightning storms.
Click here to submit your Sweet Success Story.

Forget the Resolutions…

Set Goals Instead!

By: Trista Herring Baughman

As 2021 comes to a close and 2022 approaches, for many, it’s once again time for making New Year’s Resolutions: get fit, quit bad habits, get organized, spend less time on social media, and more time with loved ones, etc. These are noble ambitions, but I am not one of the many. I stopped making resolutions long ago. 

Although well-meant, my resolutions tended to be feckless aspirations. I suppose resolutions are a good starting point, but they aren’t enough. What I needed were goals. 

What’s the difference? I can track my goals and see the progress I have made. I assign smaller milestones for each objective; each milestone is time-bound. 

I don’t do this solely at New Year’s but throughout the year. I often re-evaluate goals to ensure they are still the right goals. Here’s a checklist to help form and maintain your goals. 

 Goal Evaluation Checklist

  • Is my goal specific?  If your goal is too general, too vague, you’re likely to wander around aimlessly–especially if you’re a list-maker like me.
  • Is my goal realistic?  Can you accomplish it in the given time? 
  • Why is this my goal?  Your why is very important. If you don’t want this, you will not succeed. Motivation is key. 
  • What is the deadline? Not every goal will have a deadline. However, giving a deadline helps with motivation. If I have only a certain amount of time to complete a task, I’m more likely to get it done. 
  • What is the consequence if I do not reach said deadline? What’s the reward if I do?  Didn’t finish your 1000 word per day writing goal? NO cookies for you! 
  • In which category does this goal belong? (daily/weekly/long-term) It helps to prioritize your goals. You want to make sure your top priorities–your big rocks–come first. You will want to check these often to ensure you stay on task.
  • What steps should I take to meet this goal? Smaller objectives to reach long-term goals are often more attainable. Baby steps!
  • Is this goal still relevant; should I adjust it? It’s ok for goals to evolve or change completely. You don’t want to be too wishy-washy, though, or it will defeat the purpose. 

For me, goals are exceptionally vital for writing. Think about some things you want to accomplish with your writing: getting your work out there, marketing your book, finding a literary agent, becoming a freelance writer–whatever you’re hoping to do as a writer–to help form your goals. Also, think of things you want to stop: procrastination, being too hard on yourself, etc. Doing so will help you formulate plans and construct manageable steps to ensure their realization. 

Your assignment? Take out your writing notebook and take that first step. Make your list of goals. 

 Goals to get you started: 

  1. Write daily. It doesn’t matter what you write–just do it. You can write your story outlines, character sketches, journal, or work on your current project. Set a writing goal of words per day. 1000 to 1500 words is a good start. Find time the best time to write and be diligent. Commit to finishing your projects. Give yourself deadlines and stick to them. 
  2. Learn to say “no”. Is Facebook calling your name? Look away! Neighbors and friends dropping by in your designated writing time to chat? It’s ok to say no. If you don’t take your writing seriously no one else will.
  3. Learn to say “yes”. Enter contests. Submit your work to magazines and send query letters. Self-publish. Start a blog. You don’t have to do it all, but pick a few things and say yes. Share your talent with the world. 
  4.  Prioritize. There’s a Chinese Proverb that says, “If you chase two rabbits, both will escape.” Choose your goals wisely and pursue one at a time. Multitasking is not always your friend. 
  5. Read more. At least half of your job as a writer is to read. Reading fuels your imagination and feeds your writing soul.  
  6. Travel. Nothing boosts your creativity like going to new places and experiencing new things. 
  7. Update your website and social media pages. Let your readers know about your current projects. Reply to comments on your posts, that sort of thing. 
  8. Stay positive. You won’t reach every goal on time every time. Don’t give up. Find some inspirational quotes to cheer you on. Print them and hang them near your workspace. 
  9. Enlist an accountability partner. Having someone to swap reads and edits with is a fantastic motivational tool. 

You don’t have to do it all at once. Consider your other obligations and choose three or four goals to start. Once you have your list, be sure to implement it. Now is as good a time as any to begin good habits. You can do this! 

Whether you’re smashing plates at midnight, watching the ball (or Moon Pie) drop, kissing your sweetheart, or something else, take time to reflect and to soak in the traditions. I wish you a very happy, productive, and blessed New Year on behalf of Pikes Peak Writers and myself.


Trista Herring Baughman

 Trista Herring Baughman is a proud military wife and a homeschool mama.  She isthe author of The Magic Telescope. Her second book, Zombiesaurs, will be available soon at Barnes & Noble Press. You can find out more about her books on her website, or catch up to Trista on Facebook.